Iran: Annual report on the death penalty 2017

IRAN HUMAN RIGHTS (MARCH 13, 2018): The 10th annual report on the death penalty in Iran by Iran Human Rights (IHR) and ECPM shows that in 2017 at least 517 people were executed in the Islamic Republic of Iran. 
This number is comparable with the execution figures in 2016 and confirms the relative reduction in the use of the death penalty compared to the period between 2010 and 2015. 
Nevertheless, with an average of more than one execution every day and more than one execution per one million inhabitants in 2017, Iran remained the country with the highest number of executions per capita.
2017 Annual Report at a Glance:
At least 517 people were executed in 2017, an average of more than one execution per day111 executions (21%) were announced by official sources.Approximately 79% of all executions included in the 2017 report, i.e. 406 executions, were not announced by the authorities.At least 240 people (46% of all executions) were executed for murder charges - 98 more than in 2016.At le…

Harper Lee, Author of ‘To Kill a Mockingbird,’ Dies at 89

Harper Lee
Harper Lee
Ms. Lee’s novel about racial injustice in a small Alabama town became one of the most beloved and most taught works of fiction ever written by an American.

Harper Lee, whose first novel, “To Kill a Mockingbird,” about racial injustice in a small Alabama town, sold more than 10 million copies and became one of the most beloved and most taught works of fiction ever written by an American, died on Friday in Monroeville, Ala., where she lived. She was 89.

Hank Conner, a nephew of Ms. Lee’s, said that she died in her sleep at the Meadows, an assisted living facility.

The instant success of “To Kill a Mockingbird,” which was published in 1960 and won the Pulitzer Prize for fiction the next year, turned Ms. Lee into a literary celebrity, a role she found oppressive and never learned to accept.

The enormous success of the film version of the novel, released in 1962 with Gregory Peck in the starring role of Atticus Finch, a small-town Southern lawyer who defends a black man falsely accused of raping a white woman, only added to Ms. Lee’s fame and fanned expectations for her next novel.

“To Kill a Mockingbird” was really two books in one: a sweet, often humorous portrait of small-town life in the 1930s, and a sobering tale of race relations in the Deep South during the Jim Crow era.

Looking back on her childhood as a precocious tomboy, Scout, the narrator evoked the sultry summers and simple pleasures of an ordinary small town in Alabama. At a time when Southern fiction inclined toward the Gothic, Ms. Lee, with a keen eye and a sharp ear for dialogue, presented “the more smiling aspects” of Southern life, to borrow a phrase from William Dean Howells.

At the same time, her stark morality tale of a righteous Southern lawyer who stands firm against racism and mob rule struck a chord with Americans, many of them becoming aware of the civil rights movement for the first time.

Editors at Lippincott told Ms. Lee that her manuscript read like a string of anecdotes, not a novel, but encouraged her to revise. Eventually they paid a small advance and assigned her to work with Tay Hohoff, an experienced editor with whom she developed a close working and personal relationship.

As the novel made its way toward publication, Mr. Capote called with a proposal. He was going to Kansas to research the shocking murder of a farm family. Would she like to come along as his “assistant researchist”?

Ms. Lee jumped at the offer. “He said it would be a tremendously involved job and would take two people,” she later told Newsweek. “The crimes intrigued him, and I’m intrigued by crime — and, boy, I wanted to go. It was deep calling to deep.”

For months, Ms. Lee accompanied Mr. Capote as he interviewed police investigators and local folk. Engaging and down to earth, she opened doors that, without her, would have remained closed to her companion, whose flamboyantly effeminate manner struck many townspeople as outlandish. Each night she wrote detailed reports on her impressions and turned them over to Mr. Capote. Later she read his manuscript closely and offered comments.

Source: The New York Times, William Grimes, Feb. 19, 2016

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