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No Second Chances: What to Do After a Botched Execution

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Ohio tried and failed to execute Alva Campbell. The state shouldn't get a second chance.
The pathos and problems of America's death penalty were vividly on display yesterday when Ohio tried and failed to execute Alva Campbell. Immediately after its failure Gov. John Kasich set June 5, 2019, as a new execution date.
This plan for a second execution reveals a glaring inadequacy in the legal standards governing botched executions in the United States.
Campbell was tried and sentenced to die for murdering 18-year-old Charles Dials during a carjacking in 1997. After Campbell exhausted his legal appeals, he was denied clemency by the state parole board and the governor.
By the time the state got around to executing Campbell, he was far from the dangerous criminal of 20 years ago. As is the case with many of America's death-row inmates, the passage of time had inflicted its own punishments.
The inmate Ohio strapped onto the gurney was a 69-year-old man afflicted with serious ailm…

Minneapolis art museum to remove gallows-like sculpture following protests by Native Americans

"Scaffold" by Sam Durant at the Minneapolis Sculpture Garden
"Scaffold" by Sam Durant at the Minneapolis Sculpture Garden
The Walker Art Center in Minneapolis will remove a gallows-like sculpture, following protests by Native Americans, who say it brings back painful memories of the mass hanging of 38 Dakota men in 1862.

'Scaffold,' by Los Angeles-based artist Sam Durant, addresses the history of the death penalty, which according to some local audiences brings in the reference to a specific event in Minnesota history related to the US-Dakota War, says a blog of Walker Art Center.

It was set to be unveiled in June, when the museum's Minneapolis Sculpture Garden reopens after a reconstruction project.

Meanwhile, Walker executive director Olga Viso issued a statement, apologizing for not anticipating how provocative the work would be. She said she had spoken with Durant, and he was open to removing the sculpture.

"As director of the Walker, I regret that I did not better anticipate how the work would be received in Minnesota, especially by Native audiences. I should have engaged leaders in the Dakota and broader Native communities in advance of the work's siting, and I apologize for any pain and disappointment that the sculpture might elicit," she wrote in an open letter.

Mankato, Minnesota, December 26, 1862
She, on that note, clarified, "This composite forms what Durant intends as a critique-"neither memorial nor monument"-that invokes white, governmental power structures that have controlled and subjugated nations and peoples, especially communities of color, throughout the history of the US."

Viso further wrote, "Yet despite my and the Walker's earnest intent to raise understanding and increase awareness of this and other histories in our American democracy, the work remains problematic in our community in ways that we did not sufficiently anticipate or imagine. There is no doubt that what we perceived as a multifaceted argument about capital punishment on a national level affecting a variety of communities across the US may be read through a different lens here in Minnesota. We also acknowledge that the artist's intent to create a work meant "as a space of remembering" may be misread. Because the structure can serve as a gathering space, which allows visitors to explore it in un-ceremonial ways, we realize it requires heightened attention and education in all of our visitor orientation and interpretation."

Adding, "This is a deep learning moment-and will not be the last-for the Walker and its relationship with Native audiences. I pledge that we will continue to learn actively, and in public, and to create pathways for listening and supporting the full range of conversations that this work will engender as they evolve in the weeks and months ahead."

Source: Star Tribune, Associated Press, May 28, 2017

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