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Unveiling Singapore’s Death Penalty Discourse: A Critical Analysis of Public Opinion and Deterrent Claims

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While Singapore’s Ministry of Home Affairs (MHA) maintains a firm stance on the effectiveness of the death penalty in managing drug trafficking in Singapore, the article presents evidence suggesting that the methodologies and interpretations of these studies might not be as substantial as portrayed.

His Life With the Deaths That the State Carried Out

A lonely field of concrete crosses, engraved with dates and numbers and surrounded by weeds, is the first thing a viewer sees in the film “At the Death House Door.” Some of the graves in that field belong to inmates who were executed by the state at the prison in Huntsville, Tex.

Walking tenderly among those crosses is the Rev. Carroll Pickett, the laconic, soft-spoken prison chaplain for 15 years and witness to 95 executions. The documentary, which will be shown Thursday night on the Independent Film Channel, reveals that Mr. Pickett, a 74-year-old Presbyterian minister, was anguished by his job, and that he finally concluded that the death penalty served neither justice nor morality. He says he believes that some of the men he helped lead to death were innocent.

“After each execution I made a tape on everybody that I walked with to the death chamber,” Mr. Pickett says early in the film as the camera trains on his office, full of boxes of cassette tapes. “I knew I had to talk to somebody, and the only thing in my house at that time was a tape recorder.”

Of all those executions, he was most haunted by that of Carlos De Luna, convicted of stabbing to death a gas station clerk in Corpus Christi, Tex., in 1983. Mr. De Luna asked if he could call the minister Daddy on the day in 1989 when, at 27, he was executed despite his protestations of innocence. Two reporters for The Chicago Tribune wrote a series of articles in 2006 that made a case that Mr. De Luna was wrongfully convicted. Mr. Pickett said he believes that Mr. De Luna was innocent, and the minister’s relationship with the condemned man is a focus of the film.

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Source: The New York Times, May 27, 2008

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