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Pope Declares Death Penalty Inadmissible in All Cases

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ROME — Pope Francis has declared the death penalty inadmissible in all cases because it is “an attack” on the “dignity of the person,” the Vatican announced on Thursday, in a definitive shift in Roman Catholic teaching that could put enormous pressure on lawmakers and politicians around the world.
Francis, who has spoken out against capital punishment before — including in 2015 in an address to Congress — added the change to the Catechism, the collection of beliefs for the world’s 1.2 billion Catholics.
The revision says the church would work “with determination” for the abolition of capital punishment worldwide.
“I think this will be a big deal for the future of the death penalty in the world,” said John Thavis, a Vatican expert and author. “People who work with prisoners on death row will be thrilled, and I think this will become a banner social justice issue for the church,” he added.
Sergio D’Elia, the secretary of Hands Off Cain, an association that works to abolish capital puni…

Review: In ‘Apprentice,’ Teaching the Fine Art of Execution

Wan Hanafi Su in “Apprentice,” directed by Boo Junfeng.
This article was originally published by the New York Times in March 2017.

“The trick is to place the knot just behind the left ear and above the jaw.” Those instructions on how to carry out a “humane” hanging are given early in the Singaporean film “Apprentice” by Rahim (Wan Hanafi Su), the chief executioner at a high-security prison, to his new assistant, Aiman (Fir Rahman). 

Rahim takes enormous pride in his work, which he has been doing for 30 years, and he, at least outwardly, exhibits no qualms about his profession. 

When their time comes, he boasts, the death-row prisoners feel no pain because they die instantly. Rahim assures one man before he’s hanged that he is being sent to “a better place.”

The tricky mentor-protégé relationship between Rahim and Aiman, who’s 28, is the heart of this moderately gripping film, directed by Boo Junfeng, that by its end tells you more than you want to know about this form of capital punishment.

(SPOILER WARNING) The two appear to bond early, as when Aiman guides Rahim to a store from which he can replenish his dwindling supply of rope. By then, we’ve learned that Aiman, a polite, handsome Malay, is the son of a killer executed by Rahim years earlier.






A former army officer who was involved in gang violence when he was younger but has since changed his ways, Aiman lives with his older sister Suhaila (Mastura Ahmad), with whom he has a tense relationship. 

The dour Suhaila, who raised her brother almost single-handedly, is about to leave Singapore to marry her Australian fiancé and is critical of her Aiman’s new job.

At first “Apprentice” seems to be a basic revenge film in which Aiman stalks the man who killed his father. But it becomes psychologically more complex as it reveals Rahim’s buried rage and guilt over his occupation and Aiman’s ambivalence when offered the chance to step into his new boss’s shoes. 

“Apprentice” largely skirts the issue of capital punishment while letting it be known that most of the other guards don’t want the job. Killing a fellow human being is not easy.

Apprentice: Director: Junfeng Boo. Writer: Junfeng Boo. Stars: Firdaus Rahman, Wan Hanafi Su, Mastura Ahmad, Boon Pin Koh, Nickson Cheng. Running Time: 1h 55m. Genre: Drama. In Malay with English subtitles.

Source: The New York Times, Stephen Holden, March 2, 2017


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"One is absolutely sickened, not by the crimes that the wicked have committed,
but by the punishments that the good have inflicted." -- Oscar Wilde

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