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Texas: With a man's execution days away, his victims react with fury or forgiveness

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For the past 3 months, Christopher Anthony Young has awoken in his 10-by-6 foot concrete cell on death row and had to remind himself: He's scheduled to die soon.
As the day crept closer, the thought became more constant for Young, who's sentenced to die for killing Hasmukh "Hash" Patel in 2004.
"What will it feel like to lay on the gurney?" he asks himself. "To feel the needle pierce my vein?"
Mitesh Patel, who was 22 when Young murdered his father, has anxiously anticipated those moments, as well. He wonders how he will feel when he files into the room adjacent to the death chamber and sees Young just feet away through a glass wall.
For years, Patel felt a deep hatred for Young. He wanted to see him die. Patel knew it wouldn't bring his father back. But it was part of the process that started 14 years ago when Young, then 21, gunned down Hash Patel during a robbery at Patel's convenience store on the Southeast Side of San Antonio.
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In 'Apprentice,' Teaching the Fine Art of Execution

Screenshot from "Apprentice" by Junfeng Boo (2016)
"The trick is to place the knot just behind the left ear and above the jaw."

Those instructions on how to carry out a "humane" hanging are given early in the Singaporean film "Apprentice" by Rahim (Wan Hanafi Su), the chief executioner at a high-security prison, to his new assistant, Aiman (Fir Rahman). 

Rahim takes enormous pride in his work, which he has been doing for 30 years, and he, at least outwardly, exhibits no qualms about his profession.

When their time comes, he boasts, the death-row prisoners feel no pain because they die instantly. Rahim assures 1 man before he's hanged that he is being sent to "a better place."

The tricky mentor-protege relationship between Rahim and Aiman, who's 28, is the heart of this moderately gripping film, directed by Boo Junfeng, that by its end tells you more than you want to know about this form of capital punishment. 

The 2 appear to bond early, as when Aiman guides Rahim to a store from which he can replenish his dwindling supply of rope. By then, we've learned that Aiman, a polite, handsome Malay, is the son of a killer executed by Rahim years earlier.

A former army officer who was involved in gang violence when he was younger but has since changed his ways, Aiman lives with his older sister Suhaila (Mastura Ahmad), with whom he has a tense relationship. 

The dour Suhaila, who raised her brother almost single-handedly, is about to leave Singapore to marry her Australian fiancee and is critical of her Aiman's new job.

At first "Apprentice" seems to be a basic revenge film in which Aiman stalks the man who killed his father. But it becomes psychologically more complex as it reveals Rahim's buried rage and guilt over his occupation and Aiman's ambivalence when offered the chance to step into his new boss's shoes. 

"Apprentice" largely skirts the issue of capital punishment while letting it be known that most of the other guards don't want the job. Killing a fellow human being is not easy.

Source: New York Times, March 3, 2016

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