Iran: Annual report on the death penalty 2017

IRAN HUMAN RIGHTS (MARCH 13, 2018): The 10th annual report on the death penalty in Iran by Iran Human Rights (IHR) and ECPM shows that in 2017 at least 517 people were executed in the Islamic Republic of Iran. 
This number is comparable with the execution figures in 2016 and confirms the relative reduction in the use of the death penalty compared to the period between 2010 and 2015. 
Nevertheless, with an average of more than one execution every day and more than one execution per one million inhabitants in 2017, Iran remained the country with the highest number of executions per capita.
2017 Annual Report at a Glance:
At least 517 people were executed in 2017, an average of more than one execution per day111 executions (21%) were announced by official sources.Approximately 79% of all executions included in the 2017 report, i.e. 406 executions, were not announced by the authorities.At least 240 people (46% of all executions) were executed for murder charges - 98 more than in 2016.At le…

Singapore Appoints ‘Apprentice’ for Foreign-Language Oscar Run

Apprentice poster
Boo Junfeng’s “Apprentice” has been selected as Singapore’s contender for the foreign-language Academy Awards competition.

The film, about a young man who is asked to perhaps take over as the country’s state executioner, had its world premiere at the Cannes film festival May this year, appearing in the Un Certain Regard section. 

It had its commercial release in Singapore through Clover Films on June 30.

The selection was made by the Singapore Film Commission (SFC), which is part of the Media Development Authority of Singapore. 

“Apprentice explores complex and sensitive themes while preserving an honest insight to the characters’ internal conflict and emotions. We believe the film will resonate with international audiences following its successful world premiere at this year’s Cannes Film Festival,” said SFC director Joachim Ng.

The film is set for an extensive festival run with other stops including Toronto, Busan, and London. International sales, handled by France’s Luxbox, have included deals with Film Movement for North America, Arrow for the U.K., and Version Originale Condor for France.

Production was structured as a five way co-production between Singapore, Germany, France, Hong Kong and Qatar. It was produced by Akanga Film Asia, Peanut Pictures and Zhao Wei Films.

Source: Variety, Patrick Frater, September 15, 2016

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