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So the South’s White Terror Will Never Be Forgotten

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The carnivals of death where African-American men, women and children were hanged, burned and dismembered as cheering crowds of whites looked on were the cornerstone of white supremacist rule in the Jim Crow-era South. These bloody spectacles terrified black communities into submission and showed whites that there would be no price to pay for murdering black people who asserted the right to vote, competed with whites in business — or so much as brushed against a white person on the sidewalk.
The lynching belt states looked away from this history, even as they developed now-popular tourism programs that attract visitors to churches, schools, courthouses and other landmarks associated with the civil rights movement. The long-neglected chapter of this story becomes breathtakingly visible on Thursday in Montgomery, Ala., where the nonprofit Equal Justice Initiative will inaugurate two institutions focused on racial-terror lynching as the practice manifested itself between the late 19th a…

Singapore Appoints ‘Apprentice’ for Foreign-Language Oscar Run

Apprentice poster
Boo Junfeng’s “Apprentice” has been selected as Singapore’s contender for the foreign-language Academy Awards competition.

The film, about a young man who is asked to perhaps take over as the country’s state executioner, had its world premiere at the Cannes film festival May this year, appearing in the Un Certain Regard section. 

It had its commercial release in Singapore through Clover Films on June 30.

The selection was made by the Singapore Film Commission (SFC), which is part of the Media Development Authority of Singapore. 

“Apprentice explores complex and sensitive themes while preserving an honest insight to the characters’ internal conflict and emotions. We believe the film will resonate with international audiences following its successful world premiere at this year’s Cannes Film Festival,” said SFC director Joachim Ng.

The film is set for an extensive festival run with other stops including Toronto, Busan, and London. International sales, handled by France’s Luxbox, have included deals with Film Movement for North America, Arrow for the U.K., and Version Originale Condor for France.

Production was structured as a five way co-production between Singapore, Germany, France, Hong Kong and Qatar. It was produced by Akanga Film Asia, Peanut Pictures and Zhao Wei Films.

Source: Variety, Patrick Frater, September 15, 2016

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